• By Mary Kearns (she/her)
  • Art “Barn Eaves” by Aoife Arras (she/her)
I.
What a curious thing, these November feelings.
I notice them as I notice the mangled branches of trees,
cradling baskets of red leaves between their limbs, carefully, as though each leaf were a
newborn baby;
the infant redness, like cardinals, and like scraped knees.
I notice the moist rotted tree trunks:
deathly black, life-giving wombs,
festering with strange new things that slink and skulk in the fetid dark.
I notice the way the sunrise sunlight illuminates the highway in the
morning,
until even black tar is bathed in angelic light.

II.
I remember days when sharpness buried vagueness in the
cold wet earth
and prickly details swarmed around me in brisk
whirlwinds.
I remember a day when I waltzed in the rain, and when
wet concrete,
rough on my numb white fingertips, reminded me of
warm couches crowded with friends.
I remember a day when legs were strewn over
legs over legs.
When we thought we had domesticated
something as wild as love; when we let
our selves be irreparably lost in the
small space that some might someday
call family.

I remember the way the couch
felt, and the way your arm felt
when it fell over my shoulder:
such a delicious dead weight.
The fine light hairs that fell
across your forearm: the width
and breadth and depth and weight, in
exact measurements, calculated and
absolute.
I become a mathematician when I think
of you.
Some day I’ll tell you so, and then you’ll laugh
your airy laugh, because
I know that only you would know
what any of this truly means.

III.
Again, I imagine myself as Zeus; enraged as mortals do what they
were born to do, again and again,
they leave, slipping from reed baskets and into wide inane open
space, giggling as they go.
Again, I imagine that the thunder rumbles in direct response to my
own heaving sobs.